Figure drawing gesture and block-in play different, but complementary, roles.
In this article we'll define gesture drawing and block-in, clarify the difference between the two, and explore why both are essential to a successful figure drawing.
We'll cover:
This lesson is adapted from Figure Drawing Quickstart: an online course simplifying first steps in figure drawing.
Gesture, or gesture lines, are implied lines that flow from one part of a
subject to another. They create a flowing, underlying structure that connects
all parts of a subject:

What is an 'implied line'?
In the diagrams below, the dots aren’t physically connected. They are separate dots and lines. But - we have an innate ability to recognize patterns, so our mind instantly connects the dots and reads them in a sequence, immediately creating relationships between them. The invisible, implied line that connects the dots is the gesture.
Even in the straight lines, we’re able to see the flow that occurs:
Examples of implied linesThis invisible flow, the gesture, leads our eye through a picture.
If gesture has ever seemed like an elusive drawing concept that’s never explained concretely - it’s because gesture is not always an actual line that exists on our subject. It’s often a subtle, implied line - really more of an idea.
When we know how to look for gesture lines, though, we can find them in almost any drawing subject or image - whether it's a still life, landscape, figure, or portrait.
In my opinion, it’s one of the most
poetic and ethereal concepts in drawing.
Face gesture drawing
Learn how to see gesture lines, practice drawing them, and discover how to use them as a method of measurement in Bargue Drawing Level 1 (inside Drawing Decoded - soon to be The Atelier at The Drawing Source).
In figure drawing, gesture ...

A gesture drawing often looks like
a series of flowing c-curve and s-curve lines, made in the first few minutes of
a drawing, that show us what the model is doing.
Different artists, different looks
A gesture can be the starting point for a figure drawing, or it can be a beautiful image on its own.
Some artists love the energy of gesture drawing so much that it becomes their main practice. Some draw gestures loosely and freely, while others treat them as a preparation for the rest of the figure drawing. Because of this, gesture drawings can look very different from one artist to another.
You can explore gesture as both:
We'll explore both in Figure Drawing Quickstart, here.
First, let's define gesture and block-in.
Gesture Drawing Definition: A gesture drawing is a quick, expressive drawing that captures the movement, energy and overall action of a subject (rather than its precise details, forms and contours).
Figure Drawing Block-In Definition: A block-in is a detailed line
drawing that’s used as a blueprint for shading. It helps us establish structure, proportion, and placement, for the rest of the drawing to be built on.

When we think of a block-in vs.
a gesture...
Typically a block-in:
While a gesture:
As we'll cover in-depth in Module 4 of Figure Drawing Quickstart, we can use gesture to make sure that every line
in our block in visually leads to another line. This makes our drawing feel
cohesive, instead of disjointed, it creates energy and a sense of life in our
drawing, and it moves our eye through the image:

What happens if we only have one of the two? Only gesture, or only block-in?
We need both because together we get the best of both worlds. Realism, infused with energy and life.
In Figure Drawing Quickstart, we're going to start our figure drawings with what I call a 'gestural block-in', which
has elements of both. Our goal is a balance of
movement and accuracy, so the drawing feels both alive yet realistic and believable.
Our gestural block-in will become a framework for the rest of our figure
drawing. When
it’s drawn correctly (and we’ll talk about what the means in the course), from that gestural block-in it’s much
easier to add construction, anatomy, shading, and detail.
To achieve a drawing that feels both structurally solid and alive, gesture and block-in need to work together.
But to combine them successfully, we first need to practice them separately:
In Figure Drawing Quickstart, I guide students through this process step by step - first developing gesture and block-in separately, and then integrating them into a figure drawing framework that you can adapt to any pose.
Learn more about Figure Drawing Quickstart here.
You may also be interested in:
Figure Drawing Quickstart: Online Figure Drawing Course
7 Figure Drawing Proportions to Know
5 Ways to Start a Figure Drawing
Return to Figure Drawing from Figure Drawing Gesture vs. Block-In
Return to the Homepage from Figure Drawing Gesture vs. Block-In